I just stumbled upon this interview with Vincent LaForet and Philip Bloom at the Vimeo Awards in NYC. It’s quite long, but they have helpful things to say regarding DSLRs and the future of filmmaking. If you don’t want to watch the whole thing, you can safely skip the first ten minutes: DSLR Cinema- The

For those of you that frequent Inside Indie, you know that I have become a great promoter of using DSLRs for filmmaking (I presently shoot with a Canon T2i and plan on upgrading to whatever follows the Canon 5d Mark II). So, when I stumbled upon Macworld’s DSLR Buyer’s Guide, I knew I’d have to

For those of you that frequent Inside Indie, you know that I have become a great promoter of using DSLRs for filmmaking (I presently shoot with a Canon T2i and plan on upgrading to whatever follows the Canon 5d Mark II). So, when I stumbled upon Macworld’s DSLR Buyer’s Guide, I knew I’d have to

Panasonic announced yesterday the release of their latest Micro Four Thirds offering, the GF2. The camera builds upon the popularity of the GF1, and of particular interest to filmmakers is the GF2′s incorporation of 1080p video. My main complaints as a filmmaker are two-fold: the GF2 has no audio-in jack and lacks 24p recording. As

In case you haven’t been following recent tech news, both Canon and Sony have responded to Nikon’s announcement of the D3100. It was only inevitable…but within a week? Having recently purchased a T2i, I am glad to see that Canon does not plan to rest on its laurels. For an initial review of the Canon